Events

Conservatory Teachers

sat. 25 Jan.

20h00
20 €

violin
orchestra
piano
music
cello
Conservatory

Anik schwall
cello
Romain gross
clarinet
Lynn Orazi
piano
Nino Rota, Italian composer and conductor is known for his compositions for The Cinema, including The Movies by Federico Fellini and Luchino Visconti. During his long career, he has written more than 150 scores among which we can mention The Godfather or Romeo and Juliet. The Clarinet Trio, Cello and
Piano was composed In 1973.
Of Swiss origin, Paul Juon enters the Conservatory of Moscow In 1889 to study the violin then decides to leave for Berlin to improve. He will be appointed professor of composition of The Musikhochschule. In 1934, he joined a part of his family in Switzerland where he died in 1940. Hans-Dietrich Klaus wrote on "Trio Miniatures": "Die Trio Miniaturen geben Einblick in Juons Klangpoesie, seine Erzählkunst in Tönen, seine Freude an Tänzen, an rhythmischen überraschungen. "
Trio opus 114 In A minor for Clarinet In La or viola, Cello and piano, by Johannes Brahms. Late works by Brahms (1833-1897) are certainly among the most beautiful pages ever written for Clarinet. In 1891, the composer met The clarinettist Richard Mühfeld and was enthused by The sound beauty of his game, which inspired him new compositions, including The Trio opus 114.
The Trio op.114 inspiration may have been The clarinet, but The three instruments are wonderfully integrated from one end of the work to the other. The two main themes are initially conferred On Cello.
Between the two main subjects of this opening movement, La Clarinet and Cello will have their mark on much of Central development. At the end of the development, they intensify in a splendid inspiration, coincides with the beginning of the recovery.
Like the Quintet with clarinet, The slow movement is of autumnal serenity. The long melody gives way to a contrasting theme of absolute peace. The third movement is a Brahmsian intermezzo par excellence. Because, no doubt, of the intimate character of so much of what preceded it, the finale is a muscular piece, but there is no question of a contained conclusion, and the music takes strength for lead the work to an end of a radically symphonic power.
Program :
Franz schubert
Nacht und träume
Ständchen
Robert Schumann
Bist wie eine blume
Nino rota
Trio for clarinet, cello and piano
Paul juon
Miniature threesome
Johannes Brahms
Trio op.114 In The min