La(rt) Sauvage

  • exhibition

Paintings of Impression versus Impression of Paintings This exhibition brings together two artistic practices that seemingly stand in opposition... yet converge in their ability to disturb the gaze. On one hand, Nicodemo's works, with hyper-realistic paintings aiming to come as close as possible to reality — sometimes even surpassing it. Each canvas is a detailed exploration of light, material, and captured moment: a nearly sculptural pursuit of visual truth. His images strike with their intensity and leave a strong impression on the viewer in the most literal sense of the word. On the other side, Erny's prints — predominantly screen-prints —, which, far from mechanical reproduction, transform into unique pieces. Through his gestures, overlays, and choices of colors and textures, Erny propels printmaking into a painterly state. Here, each print becomes a painting in its own right, blending technical mastery with creative spontaneity. Paintings of Impression versus Impression of Paintings thus plays on words as much as on perceptions, confronting two approaches that, in their respective ways, challenge the boundary between fabricated image and lived sensation.


Good to know

Opening hours: Friday from 3 PM to 7 PM, Saturday and Sunday from 11 AM to 7 PM.
Automatically translated from French.


Aalt Stadhaus

Where does it take place?

4530 Luxembourg 38 Av. Charlotte, 4530 Differdange, Luxembourg

Aalt Stadhaus
38 Av. Charlotte
4530 Differdange
Luxembourg




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Weather forecast (Differdange)

sun. 15
16° / 20°
mon. 16
10° / 22°
tue. 17
12° / 23°

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  • 2025-08-22 2025-08-24 Europe/Paris La(rt) Sauvage Paintings of Impression versus Impression of Paintings This exhibition brings together two artistic practices that seemingly stand in opposition... yet converge in their ability to disturb the gaze. On one hand, Nicodemo's works, with hyper-realistic paintings aiming to come as close as possible to reality — sometimes even surpassing it. Each canvas is a detailed exploration of light, material, and captured moment: a nearly sculptural pursuit of visual truth. His images strike with their intensity and leave a strong impression on the viewer in the most literal sense of the word. On the other side, Erny's prints — predominantly screen-prints —, which, far from mechanical reproduction, transform into unique pieces. Through his gestures, overlays, and choices of colors and textures, Erny propels printmaking into a painterly state. Here, each print becomes a painting in its own right, blending technical mastery with creative spontaneity. Paintings of Impression versus Impression of Paintings thus plays on words as much as on perceptions, confronting two approaches that, in their respective ways, challenge the boundary between fabricated image and lived sensation. 38 Av. Charlotte, 4530 Differdange, Luxembourg Aalt Stadhaus
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