Zu unseren Schwestern, zu unseren Brüdern

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  • chamber music
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FR – Reprise of the 21 • 22 season, Zu unseren Schwestern, zu unseren Brüdern is an operatic diptych conceived and staged by Stéphane Ghislain Roussel. The first part, En vertu de..., which takes place at the Hémicycle to a composition by Eugène Birman, explores the evolution of the European Convention on Human Rights through its numerous amendments and in view of the rise of authoritarian currents in the European Union. The second part comprises the chamber opera Der Kaiser von Atlantis by Viktor Ullmann, composed in 1943 at the Theresienstadt concentration camp, where a general rehearsal took place, but its premiere occurred only in 1975. The Emperor Overall is portrayed by the same soloist, Michel de Souza, who delivers the speech in the first part. A performance full of resonances and contrasts, performed by the Luxembourg Chamber Orchestra under the musical direction of Marc Hajjar, questioning the fragile relationship between democracy and authoritarian drift.


Good to know

Performed by the Luxembourg Chamber Orchestra, conducted by Marc Hajjar.
Automatically translated from French.


Orchestre de chambre du Luxembourg Asbl Asbl

Where does it take place?

2525 Luxembourg 1 Bd Robert Schuman, 2525 Ville-Haute Luxembourg

Orchestre de chambre du Luxembourg Asbl Asbl
1 Bd Robert Schuman
2525 Ville-Haute Luxembourg




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  • 2026-02-14 19:30:00 2026-02-14 20:30:00 Europe/Paris Zu unseren Schwestern, zu unseren Brüdern FR – Reprise of the 21 • 22 season, Zu unseren Schwestern, zu unseren Brüdern is an operatic diptych conceived and staged by Stéphane Ghislain Roussel. The first part, En vertu de..., which takes place at the Hémicycle to a composition by Eugène Birman, explores the evolution of the European Convention on Human Rights through its numerous amendments and in view of the rise of authoritarian currents in the European Union. The second part comprises the chamber opera Der Kaiser von Atlantis by Viktor Ullmann, composed in 1943 at the Theresienstadt concentration camp, where a general rehearsal took place, but its premiere occurred only in 1975. The Emperor Overall is portrayed by the same soloist, Michel de Souza, who delivers the speech in the first part. A performance full of resonances and contrasts, performed by the Luxembourg Chamber Orchestra under the musical direction of Marc Hajjar, questioning the fragile relationship between democracy and authoritarian drift. 1 Bd Robert Schuman, 2525 Ville-Haute Luxembourg Orchestre de Chambre du Luxembourg - OCL
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