Wilfrid Almendra, Pierre Buraglio, Aurélie Pétrel & David Raffini - Entrevue(s)

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  • guided tour
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With Entrevue[s], Ceysson & Bénétière brings into dialogue in Luxembourg the works of Wilfrid Almendra, Pierre Buraglio, Aurélie Pétrel, and David Raffini around a theme that is both familiar and profound: the window.

Entrevue refers to both the encounter between the artists, their exchange around this shared motif, and an “entre-vue,” something glimpsed between two spaces—an interior and an exterior. The window thus becomes both a shared subject and a site of vision.

By defining painting as an “open window,” Leon Battista Alberti inaugurated the analogy between this opening and two-dimensional visual art, a major concept in the history of Western imagery. The frame of the canvas, a quadrilateral cut from a surface, organizes a space of visibility. The window, as an interface between visible and invisible, intimate and social, directs light, guides the gaze, or, on the contrary, remains blind, a closed surface referring only to its own dispositif.


Good to know

Ceysson & Bénétière Gallery - 13-15, rue d'Arlon (Wandhaff), Koerich (8399)
Guided tour in French by the artists.
Automatically translated from French.


National Art & History Museum

Where does it take place?

Luxembourg Luxembourg

National Art & History Museum
Luxembourg




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sat. 31
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  • 2026-01-31 11:00:00 2026-01-31 12:00:00 Europe/Paris Wilfrid Almendra, Pierre Buraglio, Aurélie Pétrel & David Raffini - Entrevue(s) With Entrevue[s], Ceysson & Bénétière brings into dialogue in Luxembourg the works of Wilfrid Almendra, Pierre Buraglio, Aurélie Pétrel, and David Raffini around a theme that is both familiar and profound: the window. Entrevue refers to both the encounter between the artists, their exchange around this shared motif, and an “entre-vue,” something glimpsed between two spaces—an interior and an exterior. The window thus becomes both a shared subject and a site of vision. By defining painting as an “open window,” Leon Battista Alberti inaugurated the analogy between this opening and two-dimensional visual art, a major concept in the history of Western imagery. The frame of the canvas, a quadrilateral cut from a surface, organizes a space of visibility. The window, as an interface between visible and invisible, intimate and social, directs light, guides the gaze, or, on the contrary, remains blind, a closed surface referring only to its own dispositif. Luxembourg Amis des Musées Luxembourg
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