Fidèles, fidèls

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Fidelity is not a political concept in itself, but an underlying condition of struggle and revolts, whether they are political, spiritual, cultural, community, family, historical, or contemporary. Céleste Thouin considers fidelity as the need to question and challenge one’s practice, working with photos, videos, stories, archival writings, and traditional practices. The exhibition draws inspiration from Occitan poems and songs. Through the creation of artisanal objects, the artist explores forgotten poetry and fosters collaborations, particularly with Lily Weisgerber, Thèophile Peris, and Alassane Dermé.


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End of residency
Location: Casino Display, 1 rue de la Loge, L-1945 Luxembourg
Handcrafted objects made from fleece from the Pyrenees, carded in Cantal, woven in Luxembourg by Lily Weisgerber, and bronze cast with Alassane Dermé.
Title inspired by the Occitan poem by Ives Roqueta, "Rouergue, si", 1969.
Automatically translated from French.


Casino Luxembourg

Where does it take place?

2240 Luxembourg 41 Rue Notre Dame, Luxembourg

Casino Luxembourg
41 Rue Notre Dame
Luxembourg




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  • 2026-02-14 2026-02-22 Europe/Paris Fidèles, fidèls Fidelity is not a political concept in itself, but an underlying condition of struggle and revolts, whether they are political, spiritual, cultural, community, family, historical, or contemporary. Céleste Thouin considers fidelity as the need to question and challenge one’s practice, working with photos, videos, stories, archival writings, and traditional practices. The exhibition draws inspiration from Occitan poems and songs. Through the creation of artisanal objects, the artist explores forgotten poetry and fosters collaborations, particularly with Lily Weisgerber, Thèophile Peris, and Alassane Dermé. 41 Rue Notre Dame, Luxembourg Casino Luxembourg - Forum d'Art Contemporain
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