Clara Thomine, a Franco-Belgian artist, lives and works in Brussels. She is the director of the Éditions de la fin du monde. She practices performative autofiction, casting, installation, and video. She creates or provokes "almost normal" situations, but not quite. She does so in films, performances, or through visual productions.
As a creator of plausible illusions, she makes or manipulates objects that are out of place, injecting a touch of fiction into reality. Her work then seeks to erase the traces of this incursion, to blur the lines, and sometimes innocently deny emerging contradictions.
At neimënster, Clara Thomine has developed a series of bas-reliefs created by imprint and casting, conceived as fictional vestiges of our contemporary civilization. Using everyday objects—such as toys, figurines, souvenirs, and industrial miniatures—the scenes are inspired by ancient bas-reliefs, giving the impression that our present is being observed from a distant future.
This project follows an 'archaeology of the present' approach, combining memory, anticipation, and humor, without a catastrophic outlook. Through the fossilization of objects and the blurring of temporalities, her works question our relationship with history, collective narrative, and the traces we choose to leave behind.
Good to know
At neimënster, Clara Thomine presents a series of bas-reliefs created by imprint and casting, inspired by antique bas-reliefs.
Automatically translated from French.
Where does it take place?
Neumünster Abbey
28 Rue Münster
2160 Grund Luxembourg
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