La somme de mon seum is based on a single continuous image: a traditional teapot being brought to a boil. Shot on analog film, the piece develops, through the build-up of pressure rather than release, a slow and subtle rise in tension — a simmering anger. The text, structured in four parts, recounts racist experiences lived at sixteen, twenty-one, twenty-six, and thirty-one years old.
Each fragment focuses less on the event itself and more on its persistence: the internal work of a body and a mind still trying to understand what cannot be fully named. Smoke crosses the frame and overflows it, refusing containment. Mehdi Zion's practice is rooted in analog, non-chemical film techniques, exploring light, time, and the intrinsic properties of materials. La somme de mon seum extends this exploration to a political and emotional domain, tracing what accumulates, compresses, and ultimately dissipates into the ambient air.
Good to know
Artist residency from March 30 to April 3, 2026, as part of the Post-Exposition from May 24 to September 6, 2026.
Venue: Casino Display, 1, rue de la Loge, L-1945 Luxembourg.
Automatically translated from French.
Where does it take place?
Rue de la Loge
2733 Ville-Haute Luxembourg
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